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  • Home
  • The Story
  • The “new” Premio Bonporti 2022
  • THE PRESIDENT
  • THE JURY
  • Regulations
  • Application
    • Ensemble Competition Application
    • Composition Test Application
  • News
  • Gallery
  • Contact Us
  • English
    • Italiano

Ensemble Competition Application

Inizio / Ensemble Competition Application
Latest News
  • Premio Bonporti 2022 without a First Prize 31 Ottobre 2022
  • Come to Palazzo Alberti Poja to discover and hear the “chamber” programs of the composers and ensembles finalists of the 27th Premio Bonporti! 28 Ottobre 2022
  • Thursday begins the Premio Bonporti – music in the church, and in the palace, with creativity 24 Ottobre 2022
  • Composers! Come on your own, if you like,and play your own music New deadline for the Premio Bonporti – Thursday 20th October – For Ensembles too! 17 Ottobre 2022
  • Two days to the deadline: let us appreciate your baroque creativity! 13 Ottobre 2022

Latest News
  • Premio Bonporti 2022 without a First Prize 31 Ottobre 2022
  • Come to Palazzo Alberti Poja to discover and hear the “chamber” programs of the composers and ensembles finalists of the 27th Premio Bonporti! 28 Ottobre 2022
  • Thursday begins the Premio Bonporti – music in the church, and in the palace, with creativity 24 Ottobre 2022
  • Composers! Come on your own, if you like,and play your own music New deadline for the Premio Bonporti – Thursday 20th October – For Ensembles too! 17 Ottobre 2022
  • Two days to the deadline: let us appreciate your baroque creativity! 13 Ottobre 2022
Mitteleuropa Baroque Orchestra

The orchestra accompanies the finalists of the Premio Bonporti since the first violin edition (2003).
For several years in various parts of Northern Italy, Austria and Eastern Europe some significant initiatives to encourage the research and performance of early music have been undertaken.
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Who was Bonporti

Francesco Antonio Bonporti (11 June 1672 – 19 December 1749) was an Italian priest and amateur composer.
He was born in Trento. In 1691, he was admitted to the Collegium Germanicum in Rome, where he studied theology. There, he also studied composition under the guidance of Giuseppe Ottavio Pitoni and, although it is not confirmed, violin with Arcangelo Corelli.
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